Tons of small amounts of GR on busses, tracks in incremental ways is how to get a loud and still dynamic track that sounds competitive. Just don't kill your track with GR from a final limiter to get there, it's just not how it's done. You can be loud, it still be turned down, and it still sounds competitive. Lastly, stop worrying about Spotify turning down a track. Then just make those sections have more loudness in the mix. Even then, is it that important, maybe for some sections you want it to be. Loudness comes from the frequencies being filled up, the crest factor, the loudness of a few moment to moment stuff happening in the track, and if everything is loud, clean, and the mix is full spectrum. Master is just a final touch, which might not even get more LUFs out of your meter if you mix into a limiter with just a tiny bit of GR. 14 to -4 (fuck I've seen -1) is just relative to the mix itself. Unless you are pushing the fader down after your final limiter. There are multiple LUFs measurements and while they are fun to see on meters. I would care more about when there is no normalization and your track being loud similar to CD/download standards.
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